Create a Heavy-Duty Loop / Eyelet at the End of a Wire Rope

If you need to create a very strong and long-lasting loop at the end of a rope, the best practice is to use a thimble along with a fastener. The faster can be a ferrule or rope clamp.

Ferrule

Wire rope is preferred because it is much stronger than non-wire rope like nylon, polypropylene, paracord, etc.

The benefit of a rope clamp is you can unlock the clamp and reuse the rope for something else. Also, you just need pliers to tighten the clamp nuts. The benefit of a ferrule is its small size and permanent nature. However, you would need a special crimping tool. Ideally, you would use a hydraulic crimping tool.

Hydraulic crimping tool

One tricky part when creating such a loop is getting the thimble to be snug and tight. Following is one way to do it, which worked for me.

First, make sure you use a thimble that is the right size for the wire rope you are using. In the example below, the wire rope is 1/8′ thick, so the thimble is for that size rope. If you use a smaller thimble, I found it harder to get the thimble tight and snug.

Slide the rope through the ferrule to create a loop. Then, clamp the rope using locking pliers as shown above.

Next, insert the thimble and pull the ferrule toward the thimble until it touches the thimble. If you are having difficulty making the ferrule and thimble stay touching each other, try making the short end of the rope longer.

Insert the correct size die for the ferrule in the crimping tool, then insert the ferrule in between the dies within the tool to clamp it. Follow the instructions to clamp the ferrule. Before clamping, ensure the thimble and ferrule are still touching each other for a permanently tight fit.

Clamp down multiple times as hard as you can. When do, turn off the hydraulic crimper to release the clamp.

You’ll see that the crimping crimped the ferrule, creating a permanent clamp.

Trim excess wire rope using a wire rope cutter.

Create a Custom-Designed Shirt Using Heat Transfer Vinyl

This tutorial will teach you how to create a custom-designed shirt at home using heat transfer vinyl. We will make a shirt that looks like this.

Equipment

I will be using the following equipment.

Instructions

Find an image (SVG)

First, you need to design your shirt by finding some images. You want the images to be SVGs so that you can scale the image without losing quality. To make the shirt shown above, I searched Google for “visit California logo svg”.

I found a “California” logo that I like, but I needed to edit it to remove the “visit” part.

I then searched for “california bear svg” and found a bear image that I liked.

After doing some image editing, I ended up with these 2 images.

Determine printed image dimensions

Lay your shirt down and, using a tape measure, decide how wide each image will be. For the “California” logo that would go over the chest, I chose 9 inches.

For the bear image that would go on the sleeve, I chose 5 inches.

These dimensions are not final. We will preview the design using cardstock (thick paper) first before using vinyl.

Import the images into Cricut Design Space

Download, install, and open Cricut Design Space. Follow the guided setup. Then, click the Canvas tab and then the “Upload” icon to upload each image. For the “California” text, I uploaded a large PNG on a transparent background and then set the width to 9 inches.

Do the same for the bear image. Since the Cricut Explore 2 machine can accommodate vinyl up to 12 inches wide and my video is 12 inches wide, I positioned the bear image below the “California” text.

After setting the width of the bear to 5 inches. I selected both image layers in the right column and chose “Attach” so that I could cut both images at the same time.

Cut images from the cardstock

In Cricut Design Space, click the green “Make” button. You will see a preview of the images on the mat.

You will see a preview of the design on the board. To make weeding easier, cut a sheet of 65lb cardstock large enough to accommodate the design. In this case, I round up to the nearest inch, so my cardstock will be 10″ x 6″.

Then, place the cardstock on the lightgrip mat as shown in the preview above.

Click “Continue”. Connect the Cricut machine to your computer via bluetooth or USB. Once Cricut Design Space detects your machine, you will follow a 3-step process to cut the images on your chosen material.

Make sure the dial on the machine is set to “Custom” because we will choose the material type in Cricut Design Space.

For step 1 (Set Base Material), click “Browse All Materials” and choose “Value Cardstock – 65 lb (176gsm)” since that’s the material we’re going to use first.

For step 2 (Load tools and material), make sure the correct blade is loaded in the correct clamp, load the material into the machine, and then press the flashing Load/Unload button on the machine.

When you press the “Load/Unload” button, the machine will grab and pull the mat a little to prepare it for cutting.

For step 3 (Press Go), just press the flashing “Go” button on the machine. Since we are printing on cardstock, where both sides of the cardstock are the same, we don’t need to toggle the “Mirror” option.

Once cutting is complete, click the “Load/Unload” button to unload the mat.

Notice the outline in the cardstock showing where the cardstock was cut.

Remove the cut images from the cardstock

Remove the cardstock from the mat and separate the cut images from the rest of the cardstock. Use a weeding tool, if needed.

You should be left with this.

Preview cut images on a shirt

We’ll want to preview how the cut images appear on our shirt. To do this, cut the transfer tape in the size as the cardstock – in this case, 10″ x 6″. Cut straight lines as that will make it easier to center and position the design on the shirt.

Remove the transfer tape from its backing.

Place the transfer tape over the cut images and press it on the cut images.

Remove the transfer tape using a weeding tool to keep the cut images stuck to the tape.

Cut the transfer tape around the individual images.

Wear your shirt and place the cut images on the shirt where you want them to go.

The size of the “California” text looks good to me.

The size of the bear, on the other hand, looks way too big.

Iterate

Since the bear looks too big, I’ll reduce the size from 5″ wide to 4″ and 3″, repeat some of the previous steps, and see how that looks.

This is how the 4″-wide bear looks on the sleeve of the shirt. It still looks too big.

This is how the 3″-wide bear looks. I think that’s a good size.

Now that we have our images and final dimensions, we’re ready to cut the images on heat-transfer vinyl (HTV) and iron them on our shirt.

Prepare images

Follow the same steps as above except instead of a 4″-wide bear, make it 3″ wide.

Trim heat-transfer vinyl

The vinyl I bought is an 8-foot long roll that is 12 inches wide. Since our mat is 12″ x 12″, I cut it to make it easier to work with.

I actually have some leftover vinyl from a previous project, so I’m going to use that.

Cut images from the vinyl

In Cricut Design Space, click “Make” and then “Continue”.

For step 1 (Set Base Material), click “Browse All Materials” and choose “Everyday Iron-on”

For step 2, you’ll notice 2 things:

  • For iron-ons, the “mirror” must be turned on. This flips the images so that when they are ironed on, they appear correctly. Cricut Design Space automatically toggles this on for you.
  • You need to place the iron-on material face (shiny side) down on the mat.

For step 3 (Press Go), go ahead and press go to start cutting.

Trim heat-transfer vinyl

Remove the vinyl from the mat and trim away material from the designs. To make it easier to position and align the designs on a shirt, I like to cut straight lines around the designs so I end up with perfect rectangles.

Remove the dull side of the vinyl

Use a weeder tool, if necessary.

You should be left with your designs on a transparent liner.

Determine design placement on shirt

Measure where you want the designs to be on the shirt. I’m going to position the top part of the “California” text to be about 3.75″ from the top as shown below.

Turn on heat press

Turn your heat press on and set the target temperature to 315 degrees Fahrenheit. Set the timer to 5 seconds.

Press the designs on the shirt

Put the shirt on a bath towel on a hard surface like the floor.

When the heat press is ready, place it on the shirt for 5 seconds where the design will go. This will remove wrinkles from the shirt.

Set the heat press timer to 30 seconds

Place the design on the shirt exactly where you want it to go.

Since I cut the design in a perfect rectangle, I could measure from the edge of the rectangle to various points on the shirt to ensure the design is straight and centered.

Optionally, secure the design to the shirt using heat transfer tape.

Place a sheet of teflon on the design to protect the shirt and the heat press.

Place the heat press on the design until the 30 second timer is up.

Wait one minute. Then, remove the transparent liner from the design. If the design comes off the shirt, then put the heat press back on and press firmly on it for another 30 seconds.

Once the transparent liner is removed, I like to put the teflon sheet over the design and apply the heat press once again for 30 seconds.

Now, let’s apply the bear to the sleeve. Lay the shirt down such that the seam is at the bottom and in the middle.

Cut a piece of cardboard and insert it into the sleeve as shown below. We need the surface of the top part of the sleeve to be flat. Otherwise, the design can be ruined due to the bump from the seam.

Remove wrinkles from the shirt by place the heat press on it for 5 seconds.

The brown cardboard could cause discoloration in the white design. Cover the cardboard in the sheets of teflon first as shown below.

Secure the teflon to the cardboard using heat-resistant tape.

Place the design on the sleeve where you want it.

Put a sheet of teflon on the design.

Press the heat press firmly on the design for 30 seconds.

Wait one minute. Remove the transparent liner.

Optionally, place a teflon sheet on the design and apply the heat press again for 30 seconds.

The finished product

Removing vinyl

If you make a mistake, this video will show you how to remove vinyl from your shirt.

Some other shirt designs

You can also iron vinyl on pants.

Easily Extend Images with Photoshop’s Generative Fill

If you have a photo that is too small and you wish it were wider or taller, you can use Photoshop’s Generative Fill feature to fix that. Here’s an example.

Open the image in Photoshop

Enlarge the canvas

Let’s say I want to make the image wider. Using the Crop tool, enlarge the canvas.

When you do this, you’ll see a command prompt below the image.

Click Generate

If you just click Generate, Photoshop will fill in the empty parts to blend in with the original image.

Try custom commands

You can also tell Photoshop how you want to fill in the empty space. For example, if I write, “Fill the empty space with a jungle”

or just “jungle”

I get three variations.

Create a Disco Theme in Your Living Room

Here’s one way to give your living room a disco theme.

Equipment

  • Sconces (I bought 3 rice paper lamp shade sconces on Amazon) In the picture above, these are the 3 pink wall lights.
  • Adjustable-color LED Light Bulbs (This is for the sconces. I set the color to pink.)
  • Uplights (This one on Amazon lets you change the color of the light) In the picture above, I just have one behind the sofa with a soft white (yellow) light.
  • LED Light Strip (I got mine from Costco. You can adjust the color.) In the picture above, this is the blue light behind the TV.
  • 1.5 RPM Speed Disco Ball Motor (I chose a speed of 1.5 RPM. Faster speeds make the lights move too quickly, which is distracting and headache-inducing)
  • Disco Mirror Ball (Mine is 8″ in diameter)
  • Spot Light (This is for the mirror ball. I bought this one because it allows me to adjust the aperture size / spot diameter.) In the picture above, I put it on the ottoman facing up to light up the mirror ball.
  • Northern Galaxy Light Aurora Projector (In the video above, I set the color to red (R) and blue (B) and disabled the green “star” lights. It’s on the ottoman and illuminates the ceiling).

Upscale an Image Using AI

If you have old, low-res photos that you want to enhance and upscale or if you want to zoom in on a hi-res photo while preserving quality, you’ll be impressed with what artificial intelligence (AI) can do. Compare the following.

Original Photo

This photo was taken in Cairo, Egypt back in 1997. The original photo was 640 by 480 pixels. I’ve cropped it to focus on the subject. It’s now 238 px wide.

Photoshop

In Photoshop, you can increase the dimensions of an image. I’m going to enlarge it by 300% to 714 px wide.

Here are the results using the “Automatic” resampling option. Notice the graininess.

Now, I’ll do the same using the “Preserve Details (enlargement)” option with a 50% noise reduction.

Here are the results. It’s less grainy, but still not sharp at all.

I’ll try one more time. Below are the results with 100% noise reduction. Still not great.

Spyne AI Image Enhancer

Let’s see how well Spyne AI image enhancer does.

Here are the results. This is definitely an improvement compared to Photoshop.

Topaz Labs Photo AI

Now I’ll try Topaz Labs Photo AI 2.4.0. This software costs $200, so I’ve just taken a screenshot of the preview. As you can see, the results are way better than both Photoshop and Spyne. There is no noise and everything is sharp, including the hair. If the face looks a bit too soft, you can sharpen it in Photoshop under Filter > Sharpen.

So there you have it. Successfully upscaling an image using AI with realistic results.

How to Add Lower Thirds Motion Graphics in Adobe Premier Pro

A lower third is a text title or graphic overlay placed in the lower region of the screen. Motion Graphics templates are a file type (.mogrt) that can be created in After Effects or Premiere Pro. Here’s an example of a motion graphic lower third.

There are many motion graphic templates for lower thirds available online, e.g.

In this tutorial, I just get a free one from Mixkit.

Download MOGRT template

Download this free template and unzip it. You’ll get an mogrt file and an mp4 file showing how the animated title looks.

Add a video to your timeline in Premier Pro

Drag a video to the timeline pane.

Open the Essential Graphics pane

Click on Window > Essential Graphics. You’ll see the Essential Graphics pane on the right.

Install the mogrt file

In the Essential Graphics pane, click the “Install Motion Graphics template” button in the bottom right corner. Browse to the mogrt file and click Open. The template will appear at the top of the list of templates in the Essential Graphics pane.

Drag the template to the timeline

I dragged it to the V2 track.

Edit the template

Double-click the motion graphics clip in the timeline (pink bar) to edit the template. Depending on the template, you can edit the text, colors, size, positioning, etc.

Preview the lower thirds title

Click the play to preview the lower thirds animated title. You may find the duration to be too short.

Extend the duration of the lower thirds title

Move the playhead in the timeline to the point where the title text is fully shown and not moving. At that point, right-click on the motion graphic clip in the video track (pink bar) and click on “Insert Frame Hold Segment”.

This will split all clips at that timestamp and the motion graphic clip will be split such that you can extend the middle subclip, which is the clip containing the frame showing the full title text, to increase the duration of the title. You will need to move the right subclip of the animated title to the right to make room to extend the duration of the middle subclip.

For the split video clip, just drag the right clips toward the left clip.

You may end up with something like this.

Preview the animated lower thirds title. If it looks good, export the video. Otherwise, tweak the title further.

Remove an Object, Text or Watermark from a Video Using Adobe After Effects Content-Aware Fill

The video below has some text added to it.

Video with overlaid text / watermark

The video below is the same video but with the text removed.

Same video with text / watermark removed

We can remove objects like text and watermarks from videos using Adobe After Effects (AE) content-aware fill feature. Here’s how I did it for the video above.

1. Open your video in Adobe After Effects

Choose “New Composition From Footage” and select your video.

2. Shorten work area

The content-aware fill takes a long time to process. To speed up testing, shorten the work area to a 2-second section by dragging the blue start and end markers on the timeline.

3. Create a mask

Click a tool like the pen tool and create a mask area around the object (in this case, text) you want to remove.

4. Adjust mask settings

In the video track, expand the Masks and select “Subtract”. For the Mask Feature, choose 20 pixels for the vertical and horizontal feather. For the Mask Expansion, choose 20 pixels as well. Play with these settings until you find values that produce good results.

These changes cause the mask to look like this

5. Adjust content-aware fill settings

If the content-aware fill pane isn’t open, open it by going to Window > Content-Aware Fill.

For the alpha expansion, I set the value to 13. You can experiment with different values.

For the fill method, choose “Object”.

For the range, choose “Work Area” because we only want to apply the fill to the short 2-second work area for now.

Click the “Generate Fill Layer” button. You will be asked to save the project if you haven’t already done so. You will then see AE analyze and generate the fill layer.

You will see the fill layer above the video layer in the list of tracks / layers.

6. Preview the content-aware fill layer

Click the play button in the preview pane to preview the content-aware fill.

This is how it looks for me. I think that looks good. If it doesn’t look good, go back and tweak some of the previous settings and try again.

7. Apply content-aware fill to the entire range containing the text to remove

Move the blue start and end work area markers to the beginning and end where the object / text you want to remove.

Disable the test content-aware fill layer by toggling the eye icon.

In the content-aware fill pane, click “Generate Fill Layer”. AE will create a new content-aware fill layer above our test layer. If the work area duration is long, this will take time to process.

Content-are fill will go through an analyzing phase followed by a rendering phase.

8. Preview complete content-aware fill effect

Click the play button in the preview pane again to see how the fill effect looks in the entire clip. If it looks good, you can export the video.

9. Export the video

Click File > Export > Add to Render Queue.

If the output location is unspecified, choose an Output To location. Then click the Render button.

Update: Use a reference frame for better results. The more reference frames, the better the results.

Create an Animated Travel Map Using Keynote

In this post, I’ll show you how to make an animated travel map like the one below using Apple Keynote.

1. Get an image of a map

I usually just go to Google Maps, zoom in/out to the area I want to show, then take a screenshot. In this example, I took a screenshot of the USA because I want to show an animated flight path from San Francisco to Miami.

2. Crop map and optionally add labels

Open the screenshot in an image editor (I use Photoshop) and crop to your target video resolution. My target resolution is 1920 x 1080 (standard HD). I also added some red dots where the start and end points will be as well as some city labels.

3. Get a transparent image of a plane, car, train, boat, etc

Since I want to show an airplane animate along a path, I looked for an image of one in Google Images. The background should be transparent. In Google Images, you can choose Tools > Color > Transparent to find images on a transparent background.

I chose this image.

4. Create a blank Keynote presentation

Open Apple Keynote and choose the basic white theme.

You will get a single slide. Select and delete everything in the slide.

5. Insert background map

Go to Media > Choose and select the background map.

6. Draw a path

Go to Insert > Line > Draw With Pen and draw your travel path.

Click on the start point then click on the end point. You will get a straight line.

In the middle of the line, there will be a point. Click and drag it up if you want to create a curve. Repeat with other midpoints as necessary.

When you’re done, hit the ESC key. We now have our travel path. Let’s change the style of the path. I’m going to make it red and thick. In the right pane, under Format > Style, you can edit the style of the element (curve). I choose a red color that is 7 pt thick.

7. Animate the path

In the top right corner, choose the Animate tab and then “Add an Effect” > “Line Draw”.

You can then change the default animation from 2 seconds. I changed the duration to 10 seconds so that in my video editor, I can slow it down without it appearing jumpy. I also changed the acceleration to “None”.

Click the “Preview” button to preview the path animation.

8. Add the airplane image

As in step 5, go to Media > Choose and select the airplane image.

Scale the airplane by dragging one of the corners. Drag the airplane to position it at the start point.

Rotate the airplane. In the top right choose Format > Arrange and adjust the rotation value such that the nose of the plane is aligned with the flight path.

9. Animate the airplane

In the top right, click Animate > Action > Add an Effect > Move.

Drag the airplane to the end point. Set the duration and acceleration to match that of the flight path (10 sec, None).

Click Preview to preview the animation. The airplane doesn’t yet follow the flight path. Check the “Align to path” checkbox. A point will appear along the line between the airplane’s start and end points. Drag that middle point to where the flight path is.

Click Preview again. You will see the airplane animate along the flight path.

10. Animate the flight path and airplane at the same time

In the top right, click Animate > Build Out > Build Order.

You will see a list of all animation effects. The first animation is the line (flight path). The second is the plane. Choose te second animation and then under “Start”, select “With Build 1”.

11. Export the animation

Choose File > Export To > Movie.

Since there’s only 1 slide, you can leave “Slides” to “All. The resolution should match that of the background image (1080p).

Insta360 X2/X3/X4 Filming Tips

Timelapse Videos

You can create timelapse videos using the Insta360 ONE X2/3. The resulting timelapse will be a 360-degree video that you can edit the same way you can non-timelapse videos. Unfortunately, the interval setting between when a picture is taken to create the timelapse can only be set from your phone. The interval options are 0.5s, 1s, 2s, 4s, 10s, 30s, 1min, 2min. Note that standard video is 29.97s, which is like making a timelapse video where the interval between still images is 1/29.97s or 0.03s. According to this timelapse calculator, if you film for 8 hours straight (event duration) with a shooting interval of 0.5s, then the camera will take 57600 photos. If you want the resulting timelapse video to have a frame rate of 29.97 fps, then the resulting timelapse video duration will be 32m 2s long.

Here are the number of photos and video durations for an 8-hour event duration for the shooting intervals supported by the ONE X2.

IntervalNumber of PhotosVideo Duration
0.5s5760032m 2s
1s2880016m 1s
2s144008m
4s72004m
10s28801m 36s
30s96032s
1min48016s
2min2408s

I wouldn’t choose a timelapse interval greater than 10s since an 8-hour-long filming session would produce a video that’s longer than 1m 36s. If 1m 36s is too long, then in post-production, whether in Insta360 Studio or some other video editing program, you can speed up the timelapse to produce an even shorter video.

The battery that comes with the Insta360 ONE X2 is good for 80 minutes. You can buy additional batteries, but if you’ll be recording a long timelapse video, it would be annoying to have to keep changing the battery every 80 minutes. In this case, you’re better off recording with the USB charging cable plugged in. To prevent overheating, remove the battery. The camera can still operate and record while plugged in.

When taking a 360-degree timelapse video, make sure the following options are set

360-degree mode (not 150-degree mode)

Left to right: 360-degree mode, panorama mode, 150-degree wide-angle mode

Video timelapse mode

Slow Motion Videos

If you want to make a slow-motion video, e.g. a real estate tour video, then you definitely want to record at a high frame rate like 60 fps. Then, in your video editor, slow down the video and export it at 30 or 60 fps. If the original video is recorded at 30 fps, then the slowed-down video will be choppy.

https://www.youtube.com/watch?v=6ywQnh2gmX0

Action Videos

When filming action scenes, it’s better to record at a high frame rate so that playback will be sharp, more fluid, and not blurry.

Low-Light / Night Scenes

When filming in low light like at night, you’ll get much better results if you manually adjust the exposure.

ISO

ISO is a camera setting that will brighten or darken a photo.

However, if you increase the ISO too high, you’ll see a lot of grain.

You should only raise your ISO when you are unable to brighten the photo via shutter speed or aperture instead (for example, if using a longer shutter speed would cause your subject to be blurry). The ISO 200 image on the left was brightened with a long shutter speed.

Shutter Speed

Shutter speed is responsible for two particular things:

  • changing the brightness of your photo and
  • creating dramatic effects by either freezing action or blurring motion.

Shutter speed is the length of time in seconds the camera shutter is open, exposing light onto the camera sensor. Essentially, it’s how much time your camera spends taking a photo. When the shutter is open, light passes through the lens and is collected on the camera sensor. The button that fires the camera is also called “shutter” or “shutter button,”

Fast / Short Shutter Speed > Freezes Action

A fast shutter speed is a small fraction of a second, like 1/250th of a second.

Slow / Long Shutter Speed > Motion Blur

A long shutter speed is 1 second or longer. A slow shutter speed is like 1/2 or 1/4 of a second.

Shutter Speed and Exposure (Brightness)

If you use a long shutter speed, your camera sensor gathers a lot of light, and the resulting photo will be quite bright. If you use a quick shutter speed, your camera sensor is only exposed to a small fraction of light, resulting in a darker photo. 

The following flowchart can help you tweak the ISO and shutter speed.

Left: Manual Exposure. Right: Auto Exposure

Learn more

Invisible Selfie Stick

Insta360 offers some selfie sticks that will become invisible in your videos. I have 2 sticks

  1. 2-in-1 invisible selfie stick with tripod (3.4′ long)
  2. Extended edition selfie stick (10′ long)

Following are how some videos look when using each stick.

3.4′-long selfie stick, front, face level
10′-long selfie stick extended to about 5′, front, face level
3.4′-long selfie stick, front, stomach level
3.4′-long selfie stick, 45-degree angle, face level
3.4′-long selfie stick, side, face level
3.4′-long selfie stick, side, face level
3.4′-long selfie stick, front, feet level
3.4′-long selfie stick, straight up
10′-long selfie stick, straight up
10′-long selfie stick, up, back
10′-long selfie stick, up, side

10′-long selfie stick, front spin, face level
10′-long selfie stick, low to high, facing down
10′-long selfie stick, low to high, facing up

Selfie Drone

For comparison, following are some videos taken with the Hover Air X1 selfie drone.

Bird’s Eye, no spin, 10 feet
Bird’s Eye, no spin, 10 feet, return
Bird’s Eye, no spin, 50 feet
Bird’s Eye, no spin, 50 feet, return
Bird’s Eye, fast spin, 50 feet
Bird’s Eye, fast spin, 50 feet, return
Bird’s Eye, slow spin, 50 feet
Bird’s Eye, slow spin, 50 feet, return
Dolly track
Dolly track
Follow
Hover with target tracking
Orbit, 5 feet
Orbit, 20′
Zoom out, down
Zoom in, down, return
Zoom out, flat
Zoom in, flat
Zoom out, up
Zoom in, up
Zoom out, up, far
Zoom in, up, far

Lens Care

The Insta360 X2/X3 camera has protruding lenses on two sides. As such, the lenses can easily get scratched, so extreme care must be taken to prevent that from happening. Also, before shooting, you should always clean the lens to remove any dirt or fingerprints. A dirty lens can easily result in a blurry shot. Following are comparisons of image quality when different lens conditions.

Brand New and Clean Lens

The image quality is relatively sharp.

Brand New Lens But Full of Fingerprints

The image is blurry, especially around the lights.

Scratched But Clean Lens

Despite being cleaned with a new cloth, the image is partially blurry due to the scratched part of the lens.

3rd-Person Pan

High-Up Shot

Freestyle

Hyperlapse

Rise-Up Reveal

Upward Tilt

X3/X4 Picture Quality

Here’s a comparison of the picture quality of the X3 and X4 after reframing a 360-degree video and exporting to 1080p and 4K at 20 Mbps, respectively. It’s clear that the X4 produces a brighter and sharper picture, even if the X3 picture is upscaled to 4K using Topaz Video AI.

X3 (1080p)

X4 (4K)

X3 (1080p)

X4 (4K)

X3 (1080p)

X4 (4K)

X3 (1080p upscaled to 4K using Topaz Video AI)